ON EXACTITUDE IN SCIENCE:
A map of the artist's studio in four dimensions
Paper, graphite, cast acrylic, tabletop, vinyl. 2018
A three dimensional 1:1 scale contact 'map' of the artist's studio floor, which takes inspiration from the Borges short essay of the same name.
The work explores dimensionality; the limits of representation; and how the apparatus of measurement and representation is inextricably intertwined with our perception of reality.
... In that Empire, the Art of Cartography attained such Perfection that the map of a single Province occupied the entirety of a City, and the map of the Empire, the entirety of a Province. In time, those Unconscionable Maps no longer satisfied, and the Cartographers Guilds struck a Map of the Empire whose size was that of the Empire, and which coincided point for point with it. The following Generations, who were not so fond of the Study of Cartography as their Forebears had been, saw that that vast Map was Useless, and not without some Pitilessness was it, that they delivered it up to the Inclemencies of Sun and Winters. In the Deserts of the West, still today, there are Tattered Ruins of that Map, inhabited by Animals and Beggars; in all the Land there is no other Relic of the Disciplines of Geography. Suárez Miranda, Viajes de varones prudentes, Libro IV, Cap. XLV, Lérida, 1658
Borges, J. L. 1998. On exactitude in science. P. 325, In, Jorge Luis Borges, Collected Fictions (Trans. Hurley, H.) Penguin Books.